Monday, July 19, 2010

49 Up

49 Up Review



I've read about this series for years but just never got around to watching any of them. The first film was made in 1964 and was titled 7 Up. It featured a group of seven- year old English school children from different schools, locations and social classes. (Some were from public schools and some were from private schools, which leads to ongoing confusion for me since in England a public school is what we would call a private school and vice versa.)
Apted was 22 years old when he made the first film, and he thought it would be a one time project. But he continued to make a film every seven years, featuring the same people profiled in the first film (though some have dropped out of the project over the years).
49 Up is the film I watched, and it features footage from all the projects made through the years (7 Up, 14 Up, 21 Up, 28 Up, 35 Up, and 42 Up). One of the subjects of the films, John, wonders if the whole thing is just an elaborate exercise in reality TV, but it certainly is much more.
The film captures the idealism of childhood that is often crushed by the realities of the world. It is interesting to see how the filmmaker also had preconceptions that are crushed through the years in much the same way.
In the first film Apted quotes the Jesuits who said, "Show me a boy at seven I give you the man." Some of the children make predictions about their lives that are uncannily accurate (Andrew, for instance, at seven years old predicts the schools he will attend and his profession as a solicitor). But some of the kids defy expectations. Some kids from broken homes fear relationships, but go on to build good marriages and become good parents. Some make foolish mistakes and spoil their childhood dreams and potential.
One interesting theme is the importance of one's roots as an adult. Nick leaves England and moves to the States. The filmmakers take him back to his homeland for this edition of the film. The landscape of the country of his youth was the cold and harsh moors of northern England. He says he does not miss this land but then, when he sees it, he is moved. He says that other locations seem insignificant in comparison.
Most of the subjects talk about how painful it can be to have their lives captured on film every seven years and have it broadcast (on the BBC as well as in the movie theaters) for millions to see. Jackie brings up the unfair nature of a filmmaker's option to pick and choose the segments of their interviews he will use, and feels that she and others have been treated unfairly. Suzy tells Apted she believes 49 will be her last time to participate.
The films remind me of the moment in Annie Hall when children in a classroom stand up and say what they will do in their later lives (one elementary school student in that film stands and says, "I will become a heroin addict and die of an overdose".)
When we look at children, we don't like to think about the trials they will inevitably face in the years to come. But we also can't conceive of the wonderful things they will do in the future.
One of the kids, John, at seven is a child of privilege who talks with his friends about how good it is that his school is expensive, because otherwise poor children would flood in and his classes would be too crowded. You think this kid will grow to be one of the upper class twits so successfully lampooned by Monty Python. To a degree, you'd be right. He goes on to be a barrister who looks quite a bit like Mr. Bean.
But there is more to his story. He was drawn to the woman he married by a shared concern for the poor in the Eastern Europe. The reason he continues to do the film series is to draw attention to the educational and medical needs in Bulgaria.
John is not alone. We see other children grow to be very good men and women who care for their families and for the needs of the less fortunate.
The most poignant segment of the film is about Neil, a bright young kid whose life takes some nasty turns. As a teen, he says he doubts there is a God. At seven, he had dreams of college and career, but he later drops out of school and has trouble finding work. He becomes homeless and admits to questioning his own sanity. In 35 Up, one might have questioned whether the man will even be alive in the next film. But in 49 Up we see a very different man. Little is said about religion in the segments on most of the characters, but Neil in this film has found Jesus. And it has made all the difference in the world.
49 Up came out in 2006. I would now like to see six other films. And I'm looking forward to 2013.
Starting in 1964 with Seven Up, The UP Series has explored this Jesuit maxim. The original concept was to interview 14 children from diverse backgrounds from all over England, asking them about their lives and their dreams for the future. Every seven years, renowned director Michael Apted, a researcher for Seven Up, has been back to talk to them, examining the progression of their lives. From cab driver Tony to schoolmates Jackie, Lynn and Susan and the heart-breaking Neil, as they turn 49 more life-changing decisions and surprising developments are revealed. An extraordinary look at the structure of life in the 20th century, The UP Series is, according to critic Roger Ebert, "an inspired, almost noble use of the film medium. Apted penetrates to the central mystery of life."


Sunday, July 18, 2010

The Photographer

The Photographer Review



Although The Photographer has received many poor ratings and reviews (especially at such places as IMDb), this film is a true gem. In order to appreciate this film to its full potential, one must first open his/her mind. Beginning this story with the expectation of a wealthily produced Hollywood film will only set someone up for disappointment.

As for a small budget, less known film; The Photographer is one of, if not, the best. Granted the story is a bit far-fetched, along with a few characters, the film itself portrays the story excellently. This is a film where there are only a few actors, but only a few are needed to portray what is intended.

The Serendipity Factor: This film includes a few, subtle relations to itself which I call The Serendipity Factor. During the film there are times when things are set up to relate to one another and to give the viewer that little tinkling feeling when knowing that they've 'figured something out' or that they know a bit more than the characters in the film. However 'immature' these things may be in some films, Jeremy Stein does an excellent job of incorporately only a few, subtle ones that give the story an extra punch.

Filming location and lighting do a great job influencing the dark light under which this story is told. Camera movements add to a viewers continuous pondering as to what exactly is going on or what will next happen.

Overall the actors do a great job, namely Reg Rogers who plays the main character Max Martin. This is definitely a great film to watch on a weekend when you're feeling independent and want to boost your own morale a few points. A year after becoming the toast of New York City's art scene, photographer Max Martin has lost his ability to take a decent picture. On the night of his make-or-break gallery opening, surrounded by the trappings of success but devoid of inspiration, Max embarks on a bizarre trek through the city in search of ten mysterious photographs that could save his career.


Saturday, July 17, 2010

Eureka Seven, Volume 2 (Episodes 6-10)

Eureka Seven, Volume 2 (Episodes 6-10) Review



In Eureka Seven volume 2, Renton has successfully come aboard the Gekko. Now that Renton is with his love, his life couldn't be better right? Not Exactly. Eureka's adopted kids want her all to themselves and are willing to do ANYTHING to make sure Renton stays away. This first episode of the disc is very funny, especially what pranks are pulled on Renton.

Later, it's time for Renton's initiation as a a member of Gekkostate and who better than Hap and Stoner to help him? This extremely hilarious episode will leave Renton embarassed, but accepted by the crew. At the end of the day it will be Hap and Stoner that have to face -- absolute defeat.

Later, Renton meets a seemingly nice old woman with Eureka and the kids, but little does he know that she is wanted and the Gekko is after her. Afterwards, Renton starts to learn of Eureka's past and the horror's she committed while in the military. The two begin to understand each other a bit better. Finally, the Gekko takes a trip higher than the sun for a brief time of rest and thought. The disc ends with a mysterious red haired girl welcoming back Dewey, the main villain of the show.

This disc is terrific, containing 5 great episodes of Eureka Seven. The first two episodes are just really funny. The next two involve emotion and we get a glimpse beneath the surface of some character's personalities. The final episode is basically for further thought on the previous ones, as well as what to do next. These episodes are all good, though I like almost all episodes of this show. Still, I recommend this DVD to all anime fans, though if you are new to Eureka Seven, get volume 1 first. Renton has joined his idols as a member of the Gekkostate, but he's finding that life on board this legendary ship isn't what he thought it would be. He struggles to fit in among his new teammates, and has to come to grips with the fact that Holland isn't exactly the perfect hero Renton thought he was. He's also subject to harsh lectures from Talho for no apparent reason, and of course, Renton is still trying to find a way to get closer to Eureka and tell her how he feels. From Bones Studio, mecha designs by Shoji Kawamori. Genre: Action/Sci-fi/Mecha.


Thursday, July 15, 2010

Coffy

Coffy Review



Coffy, Sexy Pam Grier is in this Blaxploitation film, which has all the matters of the time and the circumstances, Action Packed, Coffy(Pam) is Seductive and sexy and in her prime, One of the Best If not the Best Pam Grier movies, There is alot of sick criminals in this film and violence not recommended and certainly behavior I do not condone, But it's a Movie, It has a Gruesome part where a Man Who had information leading to Pam to find her Little sis, He get's his head blown off, and the End will shock you. Excellent yet sadly small part of a Green 70-72 style Corvette Roadster w/period wheels is shown.also Pam is seen nude in the movie.and there is a hot cat fight.Cool Soundtrack too.I have the Vhs Video!

Coffy Feature

  • Used - Like New
In the opening minutes of Coffy, Pam Grier's star-making role, she blasts the skull of a sleazy drug pusher into pulp like a watermelon and shoots his junkie assistant with an overdose of heroin. Jack Hill knows how to open a movie, and he never lets up on the down-and-dirty action. Coffy is an emergency room nurse by day and vigilante by night, targeting the dealers who made her sister a comatose junkie. She works her way up to the Italian mobsters muscling into the ghetto drug trade while she's romanced by glib, smooth-talking politician Booker Bradshaw and wooed by nice-guy cop William Elliot, whose refusal to sell out to the corrupt force earns him a crippling beating.

There's plenty of sex, a catty girl-fight that leaves the losers topless, and car chases and shootouts galore, but what makes Coffy a blaxploitation classic is Grier's Amazonian presence and fiery charisma, and the gritty, low-budget action scenes marked by visceral, wincing violence. Mob strong-arm Sid Haig (Spider Baby) cackles while dragging his victim (a strutting peacock pimp played by Nashville's Robert DoQui) behind a speeding car in a sadistic lynching, and Grier runs down one bad guy with a speeding car and takes care of another with a shotgun to the groin. Hill had previously directed Grier in The Big Doll House and The Big Bird Cage. Their next and last picture together, Foxy Brown, was originally written as the sequel to Coffy. --Sean Axmaker She's the ultimate tough and sexy heroine. She's Soul Cinema superstar Pam Grier, and whether delivering her justice with a shotgun, a razor or just her bare hands, she doesn't miss a beat in this "smashing, no-holds-barred tale of retaliation" (Variety)! Nobody ever commandeered the screen quite like Pam Grier...and Coffy "couldn't be better! [It's] one of the most entertaining movies ever made"(Quentin Tarantino)! Grier is Coffy, nurse by day and avenging angel by night. When she discovers that her little sister has been doped upand freaked outby a greedy drug pusher, she not only puts an end to his miserable days, but she vows to follow his trail of corruption up to the topthe very top. But what Coffy doesn't realize is that all is not as it seemsand that the leafy green behind the pushers' scene just may come from someone she knows!


Wednesday, July 14, 2010

Alexander - Director's Cut (Full Screen Edition)

Alexander - Director's Cut (Full Screen Edition) Review



For those who saw the first version and this version, its like night and day! The revisit shows a lot more alternate character development then the first. You get to see and hear everything clearer being blu ray and all so in my opinion 10 out 10! Academy award winning director Oliver Stone presents a breathtaking new cut of his sweeping epic film, ALEXANDER, the true story of the world's greatest warrior. Using new footage and dramatically reshaping dozens of scenes, he brings to life the overpowering forces and fierce personalities that forever changed history. Torn by the war between his parents (Angelina Jolie and Val Kilmer), Alexander (Colin Farrell) left Greece to face massive armies in Persia, Afghanistan and India -- and was never defeated. "Fortune favors the bold" Stone powerfully demonstrates in this bold new film, ALEXANDER DIRECTOR'S CUT.

DVD Features:
Audio Commentary:Oliver Stone
Documentaries


Tuesday, July 13, 2010

Burn Notice: Season Three

Burn Notice: Season Three Review



Michael Weston is BACK! Season 3 is a thrill ride. Michael Weston is up for the challange and he has Fiona and Sam along. Season 2 left off with one of his arch enimies dead and Michael jumping from a helcopter. Now Michael has a new Female Cop on his case and Fiona now wants Michael to stop putting his life in danger and tells him to make a choice. Love this show...... Studio: Tcfhe Release Date: 06/01/2010 Rating: Nr


Monday, July 12, 2010

Jindabyne

Jindabyne Review



"Jindabyne" (pronounced JIN-da-bine) is a 2006 Australian film about a crisis in the country town of the same name in New South Wales. Four guys on a fishing trip in the deep wilderness discover a body of a young woman in a creek, a woman who's part aboriginal; they unwisely decide to finish their fishing escapades before reporting the body 2 days later. When the press gets ahold of the story the men are publicly castigated for their clueless irresponsibility; their actions are also interpreted as racist by the local native population and the girl's family. Claire (Laura Linney), the wife of one of the men, Stewart (Gabriel Byrne), can't believe they didn't immediately report the body and becomes very suspicious of the incident, as well as alienated from her husband. Meanwhile the killer is on the loose.

"Jindabyne" combines elements of "Deliverance" (1972) and "Picnic at Hanging Rock" (1975). The similarities with the former are obvious, while it shares the latter's haunting ambiance and overall mysteriousness of the Australian wilderness (albeit Eastern Australia rather than Western).

While "Jindabyne" isn't the most captivating piece of celluloid and leaves some aspects unresolved, it did hold my attention and the story provokes numerous insights and questions. For instance, the killer is revealed in the opening shot. This isn't someone frothing at the mouth with evil, but rather an ordinary-looking electrician. One important scene late in the film shows him swatting a bee and we get the impression that he's willing to kill a human being with the exact same indifference. Why's this important? There are ordinary-looking people out there who have no qualms about snuffing out a person's life for their own selfish purposes if they think they can get away with it, just as there are people who would steal, molest or falsely testify without a second thought (take note of the scene where a boy almost gets molested at a secluded beach). We shouldn't assume everyone's like us. There are evil people out there who prey on others; we should be conscious of this and warn our youth. If the aboriginal girl had truly realized this she wouldn't have allowed herself to fall into the killer's grasp.

[Minor SPOILERS follow as I attempt to intrepret the film]

As I understand it, the four men found the body sometime late in the afternoon on Friday and didn't report it immediately because there was no cell phone reception so far back in the sticks. They waited until Sunday to make the call. In the meantime they tied the body to a tree to keep it from being swept downstream and went about their fishing business. This provokes numerous questions: I realize one of them sprained his ankle but why didn't they send one or two back immediately to report the body? Was it too late? Were they concerned about a killer on the loose in the area? How were they able to block out the presence of the dead body to enjoy their fishing trip? If it was a white teenager would they have reacted in the same callous manner?

The story gives evidence that they were fishoholics excited about their adventure and simply weren't prepared to handle the burden and responsibility of a mysterious dead body. Hence, they temporarily blocked out the corpse and continued their endeavors. Later, in the big fight scene with Claire, Stewart admits with all the rage that only guilt can cook up, that it did FEEL GOOD to be fishing for awhile, free from the shackles of his every-day mundane existence in "civilization." But how could it? Maybe because many men have the ability to BE IN THE MOMENT, to focus on their main goal and, basically, forget, for a while, the circumstances surrounding them.

This, I think, director Ray Lawrence portrays effectively in the fishing scene. The day is glorious, the landscape is beautiful and the music is pleasant. The scene is a soothing interlude between moments of tension; it's like momentary heaven on earth. So much so, I found myself smiling along with Stewart and the other guys. And then they remembered the dead body.

Many say the movie is about making a stupid decision and the requisite consequences, as well as repentance, forgivenness and compassion. True, but the movie is also about the differences between the way man and woman view and deal with reality. I doubt most women would be able to ignore the presence of a corpse enough to enjoy a fishing holiday in the wilderness, which explains why Claire becomes so appalled at the guys' actions. No wonder she looks at her husband as if she doesn't even really know him; their marriage was already strained and this understandably rips it apart (to say nothing of the weirdo mother-in-law -- she'd give anyone the heebie-jeebies!).

Another scene that depicts this difference is when Stewart comes home from the fishing trip in the middle of the night. Feeling guilty and confused, he needs to make love to Claire, to touch her and give her pleasure in order to regain a bit of his humanity. Talking about it is not an option for him, there are simply no words. It's evidently a way for Stewart to "skip" the whole event, to deny his own responsablity, to pretend he's not concerned by it.

Yet, I think the film is about scapegoating more than anything. A beautiful young girl is dead and it's almost impossible to discern who did it, so the community's collective pain is hurled at the four doofuses who trivialized her in death in order to preserve their paradisical holiday. Also, the film obviously compares the men's cavalier disregard with the heartless indifference of the killer himself. Which isn't to say they're anywhere close to being as bad as the murderer, not at all, but they do share one of the key traits that enables him to do what he does.

As far as implications of the bee sting go, there are many: (1) It represents the girl taking some small revenge now that she was one with nature (according to the aborigines). (2) It showed nature beginning to assert its dominance over this man who professes a psychological link of some kind with artificial power (electricity), which he also represents, and the way he uses nature to abet his crimes (i.e. hiding in the rocks and disposing of his victims in the stream). (3) It simply shows that his cycle of predation and murder is an eroding one, in that the longer he keeps doing it the more things will happen that are beyond his control, and will eventually lead to his discovery. (4) It signifies how a murderer can kill a person with no remorse or anything, just like killing an insect. And (5) It shows how the killer's still alive since he can feel and react to the bee whereas the girl's dead and gone as her body is unable to feel or react to the insects transgressing her corpse (as depicted in an earlier scene).

The only significant criticism I can voice concerns the corpse of the girl; her body almost looks sexy, which is never the case in real life and even more so in this particular case since the body's been dead for awhile and lying in a creek under the hot sun most of a day. My wife works as a general manager at a large burial park and therefore sees bodies all the time, young and old. Corpses are gross and smelly. Death is never sexy.

FINAL SAY: Maybe the film's not worthy of such a long write-up since it's not the most engrossing flick out there, but I wanted to illustrate how provocative "Jindabyne" is. There's a lot to this film and there's much more I'd like to address but this critique is overkill as it is. Suffice to say, this is a film for thinking people and those who prefer arty brooding flicks. If you appreciated the mysterious vibe of "Picnic at Hanging Rock" you'll probably like this one. I think it's better.

The film was shot in and around Jindabyne, which is a couple hours drive south of Canberra by the Snowy Mountains; needless to say, the locations are a highlight.

The runtime is 123 minutes. Stewart Kane, an Irishman living in the Australian town of Jindabyne, is on a fishing trip in isolated hill country with three other men when they discover the body of a murdered girl in the river. Rather than return to the town immediately, they continue fishing and report their gruesome find days later. Stewart's wife Claire is the last to find out. Deeply disturbed by her husband's action, her faith in her relationship with Stewart is shaken to the core. She wants to understand and tries to make things right. In her determination to help the victim's family Claire sets herself not only against her own family and friends but also those of the dead girl. Her marriage is taken to the brink and her peaceful life with Stewart and their young son hangs in the balance. The story of a murder and a marriage. A powerful and original film about the things that haunt us.


Sunday, July 11, 2010

The Expedition (aka Abhijaan) (aka Abhijan) [Region 2, UK Import]

The Expedition (aka Abhijaan) (aka Abhijan) [Region 2, UK Import] Review



The Expedition (aka Abhijaan) (aka Abhijan) [Region 2, UK Import] Feature

  • THIS DVD WILL NOT WORK ON STANDARD US DVD PLAYER
United Kingdom released, PAL/Region 0 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Hindi ( Dolby Digital 2.0 ), English ( Subtitles ), SPECIAL FEATURES: Booklet, Cast/Crew Interview(s), Interactive Menu, Remastered, Scene Access, Short Film, SYNOPSIS: A taxi driver attempts to introduce his cab service in rural Bengal against many odds.


Saturday, July 10, 2010

Hot blow jobs stories

Hot blow jobs stories Review



Hot blow jobs stories Feature

  • 4 hours
new, factory sealed, discreet shipping


Friday, July 9, 2010

The Brittas Empire - Series 1-7 - 7-DVD Set [ NON-USA FORMAT, PAL, Reg.2 Import - Great Britain ]

The Brittas Empire - Series 1-7 - 7-DVD Set [ NON-USA FORMAT, PAL, Reg.2 Import - Great Britain ] Review



The Brittas Empire - Series 1-7 - 7-DVD Set [ NON-USA FORMAT, PAL, Reg.2 Import - Great Britain ] Feature

  • THIS DVD WILL NOT WORK ON STANDARD US DVD PLAYER
Great Britain released, PAL/Region 2 DVD:it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Mono ),SPECIAL FEATURES: Box Set, Cast/Crew Interview(s), Deleted Scenes, Interactive Menu, Multi-DVD Set, Photo Gallery, Scene Access,SYNOPSIS: Manager of Whitbury New Town Leisure Centre, Gordon Brittas, has a natural ability to create havoc wherever he goes. His long suffering wife, Helen, struggles to retain her sanity and his staff try to keep the leisure centre running smoothly despite Gordons best efforts... Features the complete episodes from series one to seven.


Wednesday, July 7, 2010

Eureka Seven, Volume 10 (Episodes 39-42)

Eureka Seven, Volume 10 (Episodes 39-42) Review



In Eureka Seven Volume 10 you will recieve four very interesting and insightful episodes of the show on DVD. Specifically, these episodes include 39 up to and including 42 of the series. If you haven't seen all episodes before these, my following review may confuse you, so read on at your own risk.

The Gekkostate, along with Master Norb, take a brief break from the journey to do something Master Norb considers to be very important...play soccer! The first episode shows how good members of the Gekko are at the game, and is the most lighthearted one on the disc. By its end, you are reminded of Dewey's tremendous power and that the mission is only beginning.

Next, the Gekko travels to the Vadarac shrine in the hope that Renton and Eureka will be able to meet the mysterious Lady Sakuya. After a difficult and sneaky entrance, the two succeed and learn of the tragic past of a girl named Sakuya and a boy named Norb. In truth, both Sakuya and Eureka were created by the scub coral to communicate with humans. When Norb is appointed to take care of Sakuya, the two accidentally form an unbreakable bond. They try to get past the Great Wall and reach the Promised Land in the hope that it will save humanity, but fail as Sakuya transforms into a flower bud and Norb has a compac drive embedded in his chest.

All hope is not lost however, as Sakuya is told of the birth of another - Eureka, who may be able to accomplish what she could not. After hearing the story, Norb tells the two to go, as he and Sakuya will open the way for them, along with the Nirvash, to reach the Promised Land and get passed the Great Wall!

This isn't as easy as it seems however, as outside Dewey is determined to stop them. Ultimately, Holland sacrifices his own ship, the 909, to stall The END long enough for Renton, Eureka, Nirvash, and the children to reach the Promised Land, while Anemone is brutally rejected. Now that they have entered the Promised Land, what will Renton and Eureka find?

Ultimately, these are four very interesting episodes, with the first being the most comic and warm. The story of Sakuya and Norb is truly a tragic one, but one that has a happy end thanks to Renton and Eureka as the last image of the two seen is them walking away, holding hands... The extras on the disc are lacking, but do have audio commentary on one episode by the original Japanese voice actors, as usual, and an interview by the English voice of Holland. Overall, if you're a fan or collector, this disc is a must have. With only 2 discs and 8 episodes of the series remaining, how will the story change, now that it is coming dangerously close to its conclusion? On their journey to the Great Wall the Gekko makes a pit stop in an outpost on the borders of the Vordarac holy site. Master Norb has prepares one last challenge for the crew in an attempt to prepare them for the task that lies ahead. What exactly does Norb expect the members of Gekkostate to learn about themselves in a grueling game of soccer? The Gekkostate infiltrates the Vodarac shrine in an attempt to reunite Master Norb and Eureka's predecessor, Sakuya, so that they may guide Eureka and Renton into the Promised Land. A story of a Coralian girl, a young monk and their failed attempt to pass a barrier between worlds is revealed inside the heart of the temple. Outside, the skies are set ablaze as Dewey summons torrents of Scub Coral upon the Vodarac to halt a young couple's journey past the Great Wall. Anemone is dispatched as Holland and the Gekko try to buy the Nirvash desperately needed time so that the Great Wall may finally be breached. Once beyond, what will Eureka and Renton find in the Promised Land? Genre: Action/ Mecha/ Sci-Fi.


Tuesday, July 6, 2010

Silence (1971) ( Chinmoku ) [ NON-USA FORMAT, PAL, Reg.2 Import - Great Britain ]

Silence (1971) ( Chinmoku ) [ NON-USA FORMAT, PAL, Reg.2 Import - Great Britain ] Review



Silence (1971) ( Chinmoku ) [ NON-USA FORMAT, PAL, Reg.2 Import - Great Britain ] Feature

  • THIS DVD WILL NOT WORK ON STANDARD US DVD PLAYER
Great Britain released, PAL/Region 2 DVD:it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Subtitles ),SPECIAL FEATURES: Booklet, Interactive Menu, Remastered, Scene Access,SYNOPSIS: Adapted from the renowned novel by Shusaku Endo, Masahiro Shinoda's 1971 film Silence (Chinmoku, co-written with Endo) explores the violent cultural conflict amid the arrival of Jesuit missionaries in seventeenth-century Japan. Shinoda's excellent direction coupled with a pensive score by the legendary Toru Takemitsu gives cinematic expression to inner spiritual paradox, and imbues with religious mystery a landscape that seems already sentient with wind, rain, and light. Two Portuguese priests disembark upon an anonymous Japanese shore. Under cover of nightfall, they seek to infiltrate those Christian sects driven underground by a ruthless magistracy, and re-establish the foothold of the Church on the isolated island-nation. Soon, however, the priests find themselves drawn into the mire of persecution, and gradually learn the truth behind the ominous disappearance of another Catholic missionary decades earlier... By way of a heavily made-up and polyglot Tetsuro Tanba (Assassination, Kwaidan, Samurai Spy), Silence builds toward a revelation that approaches the impact of Colonel Kurtz's entrance in Conrad's Heart of Darkness (or Marlon Brando's take on Kurtz in Coppola's Apocalypse Now). Rendered in a tender colour palette courtesy of master cinematographer Kazuo Miyagawa (Rashomon, Yojimbo, Ugetsu monogatari), Silence unearths lies and beauty at the intersection of religion and Japanese society. The Masters of Cinema Series is proud to present for the first time on DVD in the UK Masahiro Shinoda's Silence based upon the same novel that has intrigued American filmmaker Martin Scorsese for decades, and spurred his own work on a film adaptation of the source


Monday, July 5, 2010

Kuroneko ( Yabu no naka no kuroneko ) ( Black Cat from the Grove ) [ NON-USA FORMAT, PAL, Reg.2 Import - United Kingdom ]

Kuroneko ( Yabu no naka no kuroneko ) ( Black Cat from the Grove ) [ NON-USA FORMAT, PAL, Reg.2 Import - United Kingdom ] Review



It's easy enough to hack dvd players to play this, so all fans of atmospheric horror should buy it and treat themselves. Soldiers rape and murder a mother and daughter who come back as bloodsucking cat ghosts. But it's also a love story, because the daughter's husband was forced to fight, and he returns after years of absence.... No cheesy effects: it's all in the artful use of shadow and light. Plus, the use of sound (pulsing drums, sparse screeching noises) is just amazing. Kubrick definitely studied this film.

Kuroneko ( Yabu no naka no kuroneko ) ( Black Cat from the Grove ) [ NON-USA FORMAT, PAL, Reg.2 Import - United Kingdom ] Feature

  • THIS DVD WILL NOT WORK ON STANDARD US DVD PLAYER
United Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Japanese ( Dolby Digital 2.0 ), English ( Subtitles ), WIDESCREEN (2.35:1), SPECIAL FEATURES: Anamorphic Widescreen, Booklet, Cast/Crew Interview(s), Interactive Menu, Photo Gallery, Remastered, Scene Access, SYNOPSIS: Set in feudal Japan, this atmospheric and violent ghost story (whose title literally translates as The Black Cat in the Bush) begins with the brutal murder of two women by a band of mercenary samurai, whose leader is subsequently tracked down, seduced, and murdered by a young woman possessed by the shape-shifting specter of his victim. Called upon to avenge the warrior's death is none other than the woman's former husband, who has been ordered by his superiors to assassinate the guilty party. Plot twists abound as the older, vengeful spirit seeks to exact poetic justice despite the younger ghost's reluctance to destroy the man who once loved her. Though not on the epic level of Kwaidan or Onibaba, this adaptation of an ancient folk tale benefits from the same cultural richness, as well as a touch of social allegory.


Sunday, July 4, 2010

Unconditional Love : Widescreen Edition

Unconditional Love : Widescreen Edition Review



Chicago housewife Kathy Bates has an obsessive crush on recording heartthrob Victor Fox (Jonathan Pryce). When he is murdered before she can meet him, she decides to attend his funeral in England, where she lands in the middle of a battle for his reputation: on one side his sister (Lynn Redgrave), on the other his gay lover (Rupert Everett). Wild chases, wacky comedy, and sentimental soul-searching ensue. Barry Manilow and Julie Andrews show up as themselves, while Dan Ayckroyd, Peter Sarsgard, and Jack Noseworthy wind up chasing them all. It's a very cute movie that will make you feel good. Beware the dwarf in the red raincoat.

Unconditional Love : Widescreen Edition Feature

  • Widescreen
Product Description It's never too late to start living! Kathy Bates, Rupert Everett and Dan Aykroyd star in this hilarious comedy about a woman who learns to live life to the fullest after her husband leaves her and her favorite crooner is murdered.


Saturday, July 3, 2010

The Final Cut

The Final Cut Review



In FINAL CUT, director Omar Naim presents a not too distant future that features a technology that gives the film its dramatic impetus. When a child is born, his/her parents can opt for a pricey implant, called a Zoe, which fits in the child's head and will record every second of the child's life right up to the moment of death. Now this concept has a myriad of possibilities to alter society and the way that people can or dare to interact with each other. However, director Naim chooses to avoid these wider psycho-social implications to focus on a standard thriller of industrial espionage. This tightening of focus works since Naim wanted to entertain the viewer without morphing the film into a "message" medium that might have emerged as insufferably pedantic. Robin Williams is Alan Hakman, whose job is to edit or "cut" a lifetime of memories into a handy movie-length summary suitable for viewing at funerals. I was mildly surprised that no one in the movie seemed to find a use for such an implant. Each person would be an infallible lie detector. Juries would have no trouble assessing a defendant's guilt. Hakman works under enormous pressure. There are many protestors who violently oppose what he does on moral grounds. The several vignettes that show these protestors reminded me of leftists who think nothing of violating the rights of others with curses and beatings to exercise their own rights of free expression. Further, Hakman daily has to edit out the unsavory aspects of his deceased client, thus forcing him to see evil up close and personal, and then delete the offending scene only to have to go home to wrestle with his conscience. Williams portrays Hakman as a tightly wound up individual who has his own demons of memory to contend with. Mira Sorvino is his lover who cares for him but only just so far since his job erects a massive wall of social static that bars true intimacy. Jim Caveziel is a former "cutter" who tries to strongarm Hakman into giving him access to a recorded memory that if exposed will topple the entire industry of re-memorizing.

FINAL CUT uses a constant series of claustrophobic scenes that intensify the torment that is right there on the viewing screen of a recorded memory. The technology involved does not seem that far fetched, but viewer interest does not lie in that. We watch movies like FINAL CUT because it is full of quirky characters, none of whom is truly evil, but all of whom are torn in deciding what is right, not what is the path of least resistance. FINAL CUT forces us to conclude that life's precious memories must not be hawked for sale, but deserve a silent and private contemplation that has no place for a public forum. Omar Naim's The Final Cut is startlingly different than a conventional science fiction film. It's a compelling fable that offers a vision of a world where memory implants record all moments of a person's life. Post mortem, these memories are removed and edited by a "Cutter" into a reel depicting the life of the departed for a commemorative ceremony, called a Rememory. Robin Williams' powerful portrayal of Alan Hackman, a troubled "cutter," propels this character driven story that forces us to question the power of our memories and the sanctity of our privacy


Friday, July 2, 2010

Naked Island ( Hadaka no shima ) [ NON-USA FORMAT, PAL, Reg.2 Import - Great Britain ]

Naked Island ( Hadaka no shima ) [ NON-USA FORMAT, PAL, Reg.2 Import - Great Britain ] Review



There are some good reviews of this film over the Net, and I don't think I can add more to this wonderful experience. Because that is the word: watching "Naked Island" (without breaks, and in a big screen if you can) is an experience. The repetitive and hard life of a family of agricultural peasants adquires greater significance when located in a small island (a big rock is maybe a more appropiate description) inside a bay. The superb music and visuals become one, explaining perfectly how the pre-capitalist leg of a mid-20th century economy worked in some places of the world. You simply can sense human effort when watching this. I cannot give an opinion on the quality of this copy, the one in film I saw was without scratches but blurred.

Naked Island ( Hadaka no shima ) [ NON-USA FORMAT, PAL, Reg.2 Import - Great Britain ] Feature

  • THIS DVD WILL NOT WORK ON STANDARD US DVD PLAYER
Great Britain released, PAL/Region 2 DVD:it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Japanese ( Dolby Digital 2.0 ),English ( Subtitles ),ANAMORPHIC WIDESCREEN (2.35:1), SPECIAL FEATURES: Anamorphic Widescreen, Booklet, Commentary, Interactive Menu, Photo Gallery, Remastered, Scene Access,SYNOPSIS: The titular island in this Japanese domestic drama is an agrarian flyspeck, almost completely cut off from contact with the mainland. Here the island's residents mechanically go through their everyday farming tasks. The film concentrates on a family of five, content with their existence despite its hardships. When the oldest son dies, it is the first of many devastating blows that nearly rip the family asunder. Originally titled Hadaka No Shima, the film was also released as Naked Island. SCREENED/AWARDED AT: BAFTA Awards, Moscow International Film Festival,


Thursday, July 1, 2010

Mystic River (Widescreen Edition)

Mystic River (Widescreen Edition) Review



I'll admit it's been a while since I've seen Mystic River in the movie theater. While initially my impression of the film was disgust(especially with the ending) I've recently picked up the DVD and watched it again with a new perspective. Mystic River is pretentious with it's self-importance and some will still argue whether or not the hype (and subsequent Academy Awards) is justified, however the honesty and emotions running through the film make it one of the more memorable films of it's time.

Mystic River is basically a melodramatic tragedy about three friends and how their actions effect the people around them. Sean's a cop, Jimmy's an ex-con, and Dave's their friend who was sexually molested when they were all kids. The movie centers around the murder of Jimmy's daughter and the actions the three friends take to deal with it. There's alot more to the story of these damaged characters and the film mostly focuses on their personal lives rather than the murder investigation itself. The movie's very raw and there is no happy ending for any of these characters. It's a very cynical story, but Clint Eastwood films Mystic River like an overbearing melodrama with over-the-top acting, camera work and music which at times is really unnecessary and gives the movie an accelerated sense of self-importance (which in my opinion is VERY annoying). I think Mystic River would've benefited with a more documentary approach and better shots of Boston (the movie's called 'Mystic River', why not show more of it?).

The acting, while sometimes over-the-top is very solid and believeable. Sean Penn is well cast as Jimmy and while the scene of him finding out his daughter's dead is waaaaaay over-blown his quiet intensity rings true through the rest of the film. Tim Robbins is perfectly simpathetic as the tortured Dave and you really feel terrible about what happens to him at the end of the movie. Kevin Bacon is a great actor but I felt Sean was a bit underused as a character though I can understand since most of his actions in the novel focused on him investigating Jimmy's daughter's murder and again the film is more about the character's personal lives.

The one bit of this movie that feels like a giant misfire is in how the ending is handled. SPOILER ALERT!----------

As I said in my opening I was disgusted and quite outraged with the ending of the film because in a lot of ways it seems to try and justify Jimmy's actions. Jimmy isn't supposed to be likeable despite the fact he really feels he's doing the right thing. I also hated how it de-humanized Dave and made his murder at Jimmy's hands seem "all for the best" with Sean's dismissiveness (in the novel Sean's much more progressive about the situation). It sort of gives the feeling that Dave deserved to die simply for being a child-rape victim. It certainly didn't help when Laurence Fishburne's character claiming Dave should be locked away simply for being a victim of sexual abuse. Sort of spreads the message that sexual abuse victims are less than human.

I like to think this was just a misstep on the filmmakers part thanks to Clint Eastwoods more sensationalist direction. I like to think what happens to Dave in the end is just part of the human tragedy of the story and NOT trying to justify Jimmy's actions as a concerned parent. I don't think Jimmy and Sean's actions in the end are unbelieveable though. Jimmy's already murdered someone before so obviously what he did isn't going to haunt him for too long. Sean's too caught up with his wife and kid and despite knowing what Jimmy did feels no matter what he does now can only make a bad situation worse by going after Jimmy(or maybe he does? The ending's a bit ambiguous). It's not a satisfying ending nor do I think it's meant to be. It is however very believeable and I think that's what the filmmakers were trying for.

So while Mystic River is far from the flawless masterpiece it claims to be it is a very powerful film. I can't say everyone will enjoy it, but it's a movie that no one will forget.



Drama. Mystic River tells the story of three men whose dark, interwoven history forces them to come to terms with a brutal murder on the mean streets of Boston.